Luke Staisiunis at Rahway Senior Center – First Wednesday Concert Series – September 4th, 2024

GSTOS is proud to present once again, Luke Staisiunis at the Rainbow Room console on Sept 4th at 2pm. 

Luke Staisiunas currently serves as Chair of the Young Theatre Organistʼs Competition for the American Theatre Organ Society, as well as serving as Secretary to the Board. Winner of the 2018 ATOS competition, and having performed from coast to coast, he is comfortable at theatre and concert instruments alike.

He has recently returned to the East Coast, having earned his Masterʼs Degree in Organ Performance under Dr. Adam Pajan and Dr. Damin Spritzer. He also earned his Bachelorʼs from OU under Dr. John Schwandt and Dr. Pajan. During his time at OU, he performed with the Symphony Band, OU Chorale, OU Percussion Ensemble, as well as playing continuo for the Vitam Musica Foundationʼs orchestra. In addition, he is active as a transcriber of orchestral works for organ, as well as compiling scores for silent film accompaniment.

As a technician, he has most recently worked for the Red River Pipe Organ Company and the former American Organ Institute shop, in Norman Oklahoma. During his time at the Red River firm, he was active as both a shop and field technician. During his time at the AOI, he oversaw the design and installation of a control system for the Schlicker studio organ as part of his Organ Technology coursework.

He is quite versatile as a church musician, equally at home with traditional liturgy and more contemporary styles of worship. Most recently serving First Baptist Church of Norman OK from 2019-2021, where he played the organ with the orchestra and band, in addition to organ solos and traditional hymnody. He is also an experienced substitute, serving a variety of denominations.

The Rahway Senior Center is located at 1306 Esterbrook Ave, Rahway, NJ

Saving Radio City Music Hall – Lecture with Rosie Novellino – Mearns

SAVE THE DATE!!!

Friday, September 13, 7:30pm

Rahway Senior Citizen’s Center

Join us as we uncover the captivating David and Goliath story surrounding Radio City Music Hall in the late 1970s — a battle that pitted a small group from the Radio City Music Hall community against the Rockefeller establishment to save one of the world’s premier theaters from the wrecking ball.

 

In Saving Radio City Music Hall, published by TurningPointPress, Rosemary Novellino-Mearns reveals how Radio City Music Hall, Art Deco masterpiece and New York City’s premiere tourist attraction for generations, was saved from demolition. After years of struggling with intense, sometimes painful memories, “Rosie” tells the honest, fact-filled, emotionally charged, and often humorous story of how she organized the gargantuan effort to save Radio City Music Hall in the Spring of 1978. Against all odds, and in only four months, she succeeded. Readers will be shocked by the “no good deed goes unpunished” climax of the story in which Rosie reveals her reward for spearheading the movement to save “The Showplace of the Nation.”

A modest but determined young dancer from Glen Rock, New Jersey, Rosemary Novellino joined the Radio City Music Hall Ballet Company, the classical dance counterpart to the world-famous Rockettes, in 1966. After a shaky beginning, she danced with the group for twelve years, eventually becoming its Dance Captain and Assistant to the legendary choreographer Peter Gennaro. In the mid-1970s, questionable behind-the-scenes changes in Music Hall management alarmed hundreds of employees, but no one was prepared for the official announcement in early 1978, that Radio City Music Hall was slated to close that April and be demolished.

Drawing upon formerly untapped inner strengths, Rosemary refused to let this happen. She became President of “The Showpeople’s Committee to Save Radio City Music Hall” and motivated fellow workers, friends, thousands of Radio City fans around the world, New York and national media, cultural leaders and politicians to support the cause. As a result of these efforts, the Art Deco palace was declared a National Historic Landmark. saving not only the building but the jobs and livelihoods of thousands of Music Hall employees on stage and behind the scenes who have entertained millions to this day. This “heartfelt and very personal account of that effort,” says Booklist, “provides a backstage glimpse of the drama that ensued and features a cast of characters that includes performers, politicians, the media, and some very heavy hitters in the world of New York real estate that will delight readers interested in the performing arts and their history in the U.S.”

 

“Safety Last” with Harold Lloyd – Silent Film at the Brook Theatre, Bound Brook, NJ

You need to add a widget, row, or prebuilt layout before you’ll see anything here. 🙂

GSTOS and The Brook Theatre are proud to present Harold Lloyd in Safety Last with live organ accompaniment by Ian Fraser

Safety Last! is a 1923 American silent film starring Harold Lloyd. It includes one of the most famous images from the silent-film era: Lloyd clutching the hands of a large clock as he dangles from the outside of a skyscraper above moving traffic. The film was highly successful and critically hailed, and it cemented Lloyd’s status as a major figure in early motion pictures. It is still popular at revivals, and it is viewed today as one of the great film comedies.

Ed Alstrom at Rahway Senior Center – Hits of 1964

April 3, 2:00 p.m.  

Rahway Senior Center
‘It was 60 Years Ago Today: The Hits of 1964’ 

Ed Alstrom will saddle up the Rainbow Room ‘Mighty Wurlitzer’ organ and take it for a spin through a wonderland of popular songs from the year 1964. It is a wonderfully diverse range of music, and chock full of all-time hits. To give you an example of this, the Beatles made their entrance onto the world stage that year, but they were knocked out of the Number 1 spot on the charts at one point by… Louis Armstrong singing ‘Hello Dolly’! 

Come out and hear this marvelous classic theater organ, built in 1934 for the Rainbow Room in NYC, and lovingly restored and cared for by the Garden State Theater Organ Society (GSTOS), as it renders these fabulous songs we all know and love!

Ed has done many concerts on this organ, and gave its inaugural recital in 2012. He is a church organist/music director by trade, and also the organist at Yankee Stadium.

ANNUAL DONATION REQUEST

Members and Friends are asked once a year to offer a donation to our organ preservation and restoration mission.  This is part of our long-term financial plan that will be able to support our organ collection into the future.  There are a few reasons that I will present why this is important.  

We own five pipe organs.  This collection includes excellent examples of organ builders and styles.  It also presents an expense because of the rapidly increasing cost of materials and because these organs are all in the century-old range.

Our Crews have gotten smaller.  In this edition, alone, we post two Closing Chords and we lost another member a few months ago.  This has created a smaller number of workers to do the same, unending job.  We found it necessary to farm-out work to organ repair companies and they are not volunteers as are our crews.  Thus, we have incurred new expenses.

We offer many of our concerts and presentations open-door and free to the attendees as part of our mission to keep theatre organ music alive and current.  The artists are paid professionals and compensated for their expertise from years of study.  We must pay royalties and copywrites.  And we maintain a web-site that is a resource to the community to keep this musical art form in the public eye.

Membership dues do not cover the cost of operation, insurance, and associated costs of doing business.  We have an investment team that works to build our financial portfolio.  And we ask for financial support from those who have a preservation mind to support us as well.  Every member of our administrative team and crew is strictly volunteer.  All money and donations go directly to our projects and programs.

At this time of year, when organizations appeal for year-end donations, we hope that you find GSTOS to be privileged to receive your support.  And, as a preservationist of this art form, we hope you will take advantage of our musical offerings!  Remember, we are a 501.c.3, tax-exempt organization and all donations are tax deductible to the fullest extent of the law.  

Donations will be recognized at the following levels:

    Post Horn- over $500

    Tibia- up to $500

    Concert Flute- up to $250

    Vox Humana- up to $100

    Kinura- up to $50

Once compiled, we will print an Honor Roll of Donors in the first edition of the 2024.

Thanks for your consideration,

Luke Staisiunas in concert at Rahway Senior Center

Luke Staisiunas at The Fargo Theatre, Fargo, ND

Luke Staisiunas earned his Master’s Degree in Organ Performance under Dr. Adam Pajan and Dr. Damin Spritzer. He also earned his Bachelor’s from OU under Dr. John Schwandt and Dr. Pajan. During his time at OU, he performed with the Symphony Band, OU Chorale, OU Percussion Ensemble, as well as playing continuo for the Vitam Musica Foundation’s orchestra. In addition, he is active as a transcriber of orchestral works for organ, as well as compiling scores for silent film accompaniment.  He is active as both a classical recitalist, theatre organist, and church musician. Highlighted concert appointments include the ATOS national convention (2019), Spreckels Rising Stars concert (2019), Guthrie Oklahoma Scottish Rite Cathedral Christmas Concert (2019),  and numerous other performances both in the Midwest and East Coast since then.

As a technician, he has most recently worked for the Red River Pipe Organ Company and the former American Organ Institute shop, in Norman Oklahoma. During his time at the Red River firm, he was active as both a shop and field technician. During his time at the AOI, he oversaw the design and installation of a control system for the Schlicker studio organ as part of his Organ Technology coursework. 

He is quite versatile as a church musician, equally at home with traditional liturgy and more contemporary styles of worship as needed.  He is also an experienced substitute, serving a variety of denomination

Directions:  From the south: Take the Garden State Parkway to exit 135 (Clark and Rahway), stay right and turn onto Brandt Avenue. Follow directions below from *. From the north: Take the Garden State Parkway to exit 135 (Clark and Rahway), turn left under the Parkway, and exit at the first right onto Brant Avenue. *Continue on Brant until it ends and turn left at the traffic light onto Westfield Ave. Follow Westfield for three traffic lights. (The road changes name at St. Georges Ave. to West Grand Ave.) At the third light, turn right onto Irving Street. Go two blocks and turn right onto Central Avenue. (You will see the Union County Arts Center on the left corner as you turn.) Go two blocks on Central and turn left onto Esterbrook, The Senior Center is two blocks ahead on your right. Park in the free lot behind the center, or on the street.

The Balancing Act with Eric Fahner

@ Union County Arts Center

Erich Fahner at the UCPAC Wurlitzer

One of our members and staff organist for Union County Performing Arts Center, Eric Fahner, was called on recently to play the Wurlitzer for a television show. Montel Williams has a Lifetime show called “The Balancing Act.” The cable program features unique people and places. They were recording an upcoming segment at the Arts Center with Eric playing while an interview and taping took place